These are organized as 16 projects, with 16 sequences per track, which is ample for most live performance requirements. In terms of its functionality, the BeatStep Pro is based on three tracks of parallel step sequencers: two for pitch-based sequencing and one tailored for drums. Combined with its metal construction, the whole package inspires confidence in a big way. The front panel is clearly laid out with multiple LED displays, sixteen backlit pads, a 16-step row for programming, 16 knobs, and an array of parameter buttons that are also backlit, making it easy to see what?s going on even on the dimmest stage or DJ booth. The BeatStep Pro?s design is frankly stunning. So Arturia has taken their original concept, listened to their users, innovated wildly, and created a live sequencing product that integrates beautifully with almost any rig.
Instead, it?s targeted at the growing ranks of gigging electronic artists who want to interact with their sequencing tools in real time as they perform or compose. I use the word ?performance? for a specific reason here, because the step sequencer trend doesn?t target composers and producers per se. Granted, my crystal ball generally works well when it comes to technology, but the explosion of modern modular rigs is unprecedented by any standard.Īrturia has been ahead of this curve for a while now, and the success of last year?s original BeatStep (reviewed July ?14) has given them some serious insight into what keyboardists and synthesists really want in a performance sequencer. If someone had told me three years ago that hardware step sequencers were about to become one of the hottest gear trends, I probably would have recommended a good therapist or at least asked what they were drinking.
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