If there’s any question as to whether or not acclaim has mellowed the man who frequently refers to himself as both "Gangsta Gibbs" and "Freddie Corleone", look no further than the two tracks that bookend the record. While the final result is less cohesive, and could benefit from trimming two or three songs, there’s no denying Gibbs’ versatility.
A quick scan of the credits reveals the biggest difference between Shadow of a Doubt and his last LP-instead of one singular producer, there’s over a dozen wide-ranging names contributing beats here from Canadian hitmaker Boi-1da to 808 Mafia’s Tarentino.
is back with his third full-length studio album. Now with little advance notice, and a raised middle finger to Q4 release schedules and anyone foolish enough to be making their best-of year-end lists early, the pride of Gary, Ind.
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